Daniel Wohl Music

Music by Eric Km Clark, Jason Treuting, Sean Friar, Chris Marianetti, Michael Winter

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MATA INTERVAL SERIES:

March 18th, 2009, 8PM

Issue Project Room, At the Old American Can Factory

232 3rd Street, 3rd Floor

Brooklyn, NY 11215

718-330-0313

info@issueprojectroom.org

Music by: Tristan Perich, Angelica Negron, Judy Dunaway, Daniel Wohl.

Curated by Angelica Negron

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LAGUARDIA PERFORMING ARTS CENTER:

April 24h, 2009, 8PM

Laguardia Community College

31-10 Thomson Avenue Long Island City,

NY 11101

718-482-7200 www.lagcc.cuny.edu/lpac/

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DOUBLE BILL Puerto Rico / NY:

May 21st 2009

Gershwin Hotel

7 East 27th Street

NY 10016 212-545-8000

Music by Angelica Negron, David Little, Daniel Wohl and others

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PORTRAIT SERIES Matthew Welch/ Daniel Wohl:

June 5th 2009

Issue Project Room, At the Old American Can Factory

232 3rd Street, 3rd Floor Brooklyn,

NY 11215 718-330-0313

info@issueprojectroom.org

Currated by Zach Layton: “Darmstadt: classics of the avant garde” series

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RECENT:

Benefit Concert:

January 18th, 3PM

SUNY Purchase, Music Building Recital Hall

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PARIS vs BROOKLYN double bill:

November 14th 2008, 8PM

Brooklyn Conservatory

58 7th Ave

Brooklyn, NY 11217

(718) 622-3300

World Premieres by: Matthew Welch, Ivan Solano, Daniel Wohl Music by: Gerard Pesson, Richard Carrick, Meredith Monk funds provided by: the Brooklyn Arts Council

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AMSTERDAM vs. NEW YORK double bill:

JUNE 7th. 8PM

TENRI CULTURAL INSTITUTE OF NEW YORK

43A WEST 13TH STREET

NEW YORK, NEW YORK 10011

World premieres: Jeff Myers, Daniel Wohl Music by: Oscar Bettison, Kate Moore, Julia Wolfe, Louis Andriessen

Support provided by the Brooklyn Arts Council.

TRANSIT is:

David Friend–piano; Andie Springer–Violin; Evelyn Farny–cello; Sarah Phillips Budde–clarinet; Joe bergen–percussion; Daniel Wohl–composer

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TRANSIT, the New York-based collective is systematically dismantling the status quo in new music. For too long, composers and performers have been isolated from each other geographically and stylistically into categories that have less and less relevance in our quickly globalizing world. Taking their cues from the slapdash diversity of New York City, the artists of TRANSIT seek to create bridges between and among the various schools and styles of music being written and performed today. Their goal is not to achieve an “international style” or to promote homogeny in the music world. Rather, they rejoice in the mixed up results and new perspectives that undeniably occur when musicians are exposed to new influences.